Saturday, November 23, 2013

2013 in Heavy Metal

Oh man, 2013 was a big year in heavy metal. Where to even begin? Well I guess let’s start at the beginning.

The year started off pretty slow. In January, the biggest event to occur in heavy metal was Rob Caggiano leaving Anthrax. I give a lot of credit to that man for reviving Anthrax from the dead, but they prospered for a long time without him, and they can certainly do so again. Jonathan Donais from Shadows Fall should be an interesting addition to the band. He’s not of the same musical caliber as Caggiano, but he’s still a killer guitar player that could stylistically bring a lot to the band. Also worth noting is that Caggiano has since joined Volbeat, a band that is more than deserving of his presence and expertise. 

As far as music releases go, the biggest release of January was probably Jason Newsted’s Metal EP. It was nice to hear from Metallica’s former bassist, though the songs themselves were fairly lackluster. Cult of Luna without a doubt put out the best album of the month, though Voivod, Hatebreed and Tomahawk also put out solid records.


Just a month after Caggiano announced his departure from Anthrax, another band of “The Big Four of Thrash Metal” announced a line-up change. In February, Dave Lombardo said that he would not be performing live with Slayer in Australia. His status in the band would be left uncertain until May, where his departure would be officially announced. This was a really rough year for Slayer. More on that later though.

A bunch of good albums came out in February. The biggest highlight was Darkthrone’s The Underground Resistance, on which the band stylistically paid tribute to many of their older heavy metal heroes. The album is so old school and is insanely awesome. Suffocation, Portal, Omnium Gatherum and Byzantine also put out pretty strong albums that month.


March was a sad month because former Iron Maiden drummer Clive Burr passed away. Burr was the drummer on The Number of the Beast, one of the best heavy metal records of all time. He may be gone now, but he left a hell of a legacy. 

Also in March, Randy Blythe from Lamb of God was acquitted of all charges in Prague. That was a major relief for the metal community. If a man gets on stage and charges at you, you push him away. Blythe followed his instincts and who could blame him? After what happened to Dimebag Darrell in 2004, you can’t take any chances.

Soilwork’s double album The Living Infinite was probably the musical highlight of March. A lot of people really dug Sevendust’s new record, too. Kvelertak, Avantasia, Finntroll, KEN mode and Hypocrisy also had albums that are really worth checking out. 


April was the month where every mainstream metal band ever decided to release an album. Drowning Pool had a new album come out with another new singer (insert sarcastic cheers here) that actually wasn’t that much of a train wreck. Killswitch Engage’s new album that featured the return of Jesse Leach also came out, but was pretty underwhelming. Bring Me the Horizon dominated the mainstream metal market that month with their new album, Sempiternal, which is definitely their best record to date. David Draiman’s new band, Device, also released its debut record, and it sounded exactly like Disturbed, just as everyone predicted.


April continued with even more mainstream metal releases, as Ghost, Stone Sour, Rob Zombie and Deep Purple all put out pretty good records. The new Stone Sour was the second part of The House of Gold & Bones double album, and it had me impressed. Rob Zombie’s newest record was also his strongest in quite some time. That brought a smile to my face.

The best albums from April were the new releases by Norway’s Shining, The Ocean and Altar of Plagues. For those of you planning on checking out ACRN’s albums of the year list, you can expect to see the new records from The Ocean and Altar of Plagues on my list. They were both phenomenal. Altar of Plagues may have announced their demise, but man, the band is definitely going out on a high note.


As far as events go, the only thing to happen in April was the death of Chi Cheng of Deftones fame. It was no secret that his recovery was not going well, so his death was sort of expected. It’s a shame because he was a very talented bassist and he seemed to have been a really great guy.

May was probably the worst, but most important month in metal this year. On May 2nd, Jeff Hanneman from Slayer passed away. The heavy metal community was blown away by this unexpected loss. No one realized that Hanneman was in such bad condition, and everyone was sure he was on his way to recovery after the lethal spider bite. Hanneman’s influence on heavy metal was monumental to say the least, and Slayer will always be incomplete without him. 


Meanwhile, during the same month, Tim Lambesis from As I Lay Dying was arrested for trying to hire a hitman to kill his wife. This is a classic case of stupid people making stupid decisions. Way to go, Tim. Way to make your band members proud. Lambesis’ impending court case has gotten a lot of attention this year, and was certainly a big event from 2013.

As far as records go, May saw fantastic new album releases from Immolation, The Dillinger Escape Plan, Kylesa, Dark Tranquillity, Tesseract, Alice in Chains, The Resistance and Chthonic. The Dillinger Escape Plan really blew up in 2013, and has become way more popular than the group could have imagined. It’s nice to see such a talented band getting recognized by the heavy metal community for their excellent music. 


June saw a new incarnation of The Haunted take shape, which totally got me psyched. Apart from that, June was seen as kind of a recovery month for the heavy metal community. Hanneman’s death was a big deal, and many people still haven’t accepted it. 

Black Sabbath released their first new album in a long time in June, and many people were excited about that. Queensryche also put out its first album without Geoff Tate, and it sounded totally awesome. Children of Bodom and Amon Amarth put out good, but overly hyped albums in June. Deafheaven and The Black Dahlia Murder put out the most acclaimed records of the month. These albums were some of the best of what 2013 had to offer in metal. White Wizzard, Scale the Summit, August Burns Red and Mouth of the Architect also put out memorable records in June. 


July was a fairly boring month in metal. No major events happened, and the only album releases worth talking about were Battlecross’s second record, Misery Signals long anticipated fourth album, and Phil Anselmo’s first solo album. Anselmo’s record didn’t really meet the high expectations set for it, but it was still nice to hear him perform heavy music again.


The big news during August was Dark Angel’s reunion. Don Doty wanted to get back into the music scene and basically proclaimed a reunion without asking any of the other band members if they were up for it. Gene Hoglan retaliated with a statement saying that the band was considering reuniting for some festival dates, but not with Doty on vocals. Doty has since backed off from Dark Angel and has formed a new band. Meanwhile, Dark Angel has reunited with Ron Rinehart and has some performance dates set for the near future.

In August, many awesome records were released. Gorguts’ first album in over a decade, Colored Sands, was probably the highlight of the month. It met expectations and proved that Gorguts are still leaders in the death metal scene. Jason Newsted, Avenged Sevenfold, Exhumed, Fleshgod Apocalypse, Watain, Revocation, Last Chance to Reason and Devildriver also put out pretty good albums in August. Avenged Sevenfold’s new album received a lot of attention due to the band’s decision to take heavy influence from some of their favorite popular metal acts. Machine Head’s Robb Flynn congratulated the band on their “covers album,” which sparked some commotion between the groups.


September featured album releases by Vista Chino, Annihilator, Ministry, Satyricon, Gwar, Dream Theater and Carcass. Carcass’ comeback record was the talk of the town when it came out. It was a good combination of Necroticism and Heartwork, and fans were very pleased with it. That record is going to be on a lot of favorite album lists at the end of the year.


The big metal news story of October was Blake Judd’s arrest and Nachtmystium’s subsequent demise. Judd felt that he was in a dark state, and that it would be best to end his band on a high note. Nachtmystium will put out one final album next year. Many of the band’s fans were devastated by this news.

Fates Warning, Soulfly, Death Angel, Red Fang, Pestilence, Motorhead, Sepultura, Protest the Hero, Skeletonwitch and Toxic Holocaust all put very memorable albums in October. Metalheads were particularly impressed with the latter three records listed. Meanwhile, Korn and Trivium put out pretty divisive records in October that may have impressed as many fans as they disappointed.


This month The Melvins, Sun and Sail Club, Hell and Deicide all put out memorable records. There doesn’t seem to be much going on next month, though.


This has been a memorable year in metal. There were two horrible deaths and some sad band break-ups, but there were also several major reunion records. Many very well known metal acts also put out some major releases this year that will be talked about for time to come. Next year promises to be an exciting year, as many great bands are talking about awesome upcoming albums and tours. Next post I will summarize the best of what is yet to come in heavy metal in 2014.

Saturday, November 16, 2013

Gateway Bands

Heavy metal is a difficult genre of music to get into. Subgenres such as death metal and black metal may seem repulsive to music listeners who aren’t used to the harsh nature of the music. Sometimes music that sounds foreign can just be hard to comprehend.

Therefore, it is important that people find metal groups known as gateway bands. A gateway band is a band that helps one ease into a genre (or subgenre) of music. Once listeners start to enjoy a gateway band, it often becomes easier for them to explore the genre of music that initially seemed unlikable.  

A lot of metalheads really understand the importance of gateway bands. Very few metalheads have ever just been able to start listening to an extreme subgenre without having been eased into it through other bands. Furthermore, a lot of metalheads may have been turned off by heavy metal entirely, until that one special band came along to convince them otherwise. 

Personally, it took me years to start enjoying certain heavy metal subgenres. In fact, I was repulsed by just the idea of listening to heavy metal for a long time. But when I turned 15, I started listening to Metallica and everything began to change.

In my opinion, Metallica is probably the best gateway band into heavy metal. There’s a reason why they are the most popular metal band of all time. It is because they have such a strong universal appeal. The Black Album has sold 30 million copies worldwide, and has helped millions of people become interested in heavy metal. I was blown away the first time I heard “Enter Sandman,” and it really encouraged me to check out the rest of Metallica’s discography.


Pretty soon, I had become completely infatuated with the band’s early thrash metal albums. To this day, Master of Puppets remains my favorite heavy metal album ever. The first track off the album, “Battery,” encouraged me to check out more thrash metal bands besides Metallica, in search of other songs like it. Pretty soon, I found myself on a journey of musical discovery, and by trying to find bands that sounded like others I liked, I began to delve deeper and deeper into the heavy metal genre.


Metallica was my gateway band, but they’re not a good gateway band for everybody. Many metalheads who are encouraging their friends to start listening to metal will tell them to start at the very beginning with Black Sabbath. Black Sabbath is an admittedly great gateway metal band. It’s not hard to convince fans of hard rock, psychedelic rock and the blues that Black Sabbath is a phenomenal band. After exploring Black Sabbath, many people may be further encouraged to check out other doom metal bands, and may even decide to listen to stoner metal and sludge metal as well. 


Black Sabbath and Metallica are probably the stereotypical gateway bands of heavy metal. Other common older metal gateway bands include Deep Purple, Motörhead, Iron Maiden, Judas Priest, Megadeth and Anthrax. Collectively, these are the bands that most metalheads of the 1970s, 1980s and 1990s will say got them into heavy metal. However, we’re in the 2000s now, and a lot of people are looking for more newer, more modern gateway bands into heavy metal.


Ghost is the gateway band that everyone seems to be talking about right now. Their gimmicky costumes alongside their rather tame music are universally likeable. Ghost’s dark vibe and embrace of the occult will naturally attract fans that are unfamiliar with heavy metal. They’re a great gateway band and they put on a hell of a live show.


Alternative metal and nu metal bands are good gateway bands for younger teenage listeners who are looking for a bit of kick to the usual rock music. I know a ton of people who have used Slipknot, Disturbed, System of a Down, Limp Bizkit, Papa Roach and Marilyn Manson as gateway bands into heavy metal. Personally, I think Disturbed is a really great gateway metal band that is good for easing people into the genre.


Metalcore also seems to be a subgenre that is a good gateway into heavy metal. Melodic metalcore bands such as Every Time I Die, Avenged Sevenfold, Killswitch Engage, Bullet for My Valentine and Trivium are great gateway metal bands with catchy songs. These are good bands for fans of punk music, and for those who just like simplistic, likeable songs. 


Lastly, for those who like complex music with a lot of intricacies, I recommend exploring progressive metal. Dream Theater, Fates Warning, Symphony X, Animals as Leaders, Devin Townsend Band and Cynic are an eclectic group of progressive metal bands that will surely appeal to listeners of more musically sophisticated and complex genres. 


I actually further recommend Cynic, particularly their newer material, to fans of indie rock. It’s sort of a stretch, but I think Cynic’s music might be a good gateway for them as well. Fans of indie rock and alternative rock might also appreciate groups such as Alcest, Agalloch and Amesoeurs. These are gateway bands that reflect a combination of metal and softer genres of music.


When beginning to listen to heavy metal, it’s all about finding the right gateway band. There are infinite possibilities, and all it takes is one band for someone to get completely hooked on heavy metal. Heavy metal is such a diverse genre of music that is really worth deeply exploring. Finding the right gateway band can lead to an exciting musical journey that can really open up one’s musical palette for the better.

Saturday, November 9, 2013

The World Wide Web of Metal

Exploring the world of heavy metal online can be difficult. There are a lot of terrible heavy metal news sites out there, and many awful places to look for heavy metal album reviews. Through this blog post, I hope to direct readers to some really great heavy metal websites that will help them keep up with their favorite heavy metal acts.

There are a lot of good places to go for heavy metal news, and likewise a lot of bad places. The most notable heavy metal news site around is Blabbermouth. Blabbermouth is basically the online CNN for heavy metal and every metalhead knows about it. The site is a fairly objective news source and focuses on what is going on with popular heavy metal acts.

If metalheads go to one place on the internet for heavy metal news, Blabbermouth should probably be it. The site is filled with many garbage interviews that no one really cares about, but after sifting through the uninformative interviews and news stories, there ends up being a lot of simple, objective articles that get information across efficiently. The site does a good job at reporting about upcoming album releases and tours, and is a good place for fans of less obscure heavy metal bands to go. 

The album reviews on Blabbermouth are pretty hit and miss. The site frequently overrates albums, and is often misleading in terms of describing album quality. I have observed that the site does a better job rating albums by more underground bands than they do with mainstream metal groups. The reviews are always well written, though, despite the fact that sometimes they aren’t that thorough. All in all, read the album reviews for fun if you want, but don’t take them seriously.

For those who want a more comical news source, MetalSucks is a great place to go, and is the home of frequently mocked writers, Axl Rosenberg and Vince Neilstein.  They do a great job of making heavy metal news funny, and often provide great commentaries to ridiculous stories. All of the writers on MetalSucks are very opinionated, and they aren’t afraid to make that known, however the site posts about bands of all types. MetalSucks is actually my favorite news source. I find their articles to be entertaining, and they cover a pretty wide spectrum of bands. 

For those who want objective news like Blabbermouth, MetalStorm, Metal Injection and Metal Hammer are also good places to go. I particularly find myself being constantly redirected to Metal Injection to check out album reviews and song/album streams. 

The only other site I frequently return to is Gun Shy Assassin, a metal news site run by Chris Harris, who has written for many other bigger music news sites. GSA is a good news site, covering a fairly wide spectrum of bands. The site also has some blogs that are run by really excellent musicians. The only major problem I have with GSA is that Harris often provides inconsistent commentaries within news stories. Sometimes Harris is really funny and has great things to say. Other times he comes off as being really whiney. That being said, he is usually more funny than whiney, and his stories about getting into fights with various mainstream metal musicians are often pretty great. He is very opinionated, but his site is all in good fun, and is certainly worth following.

For those who are trying to keep up with a specific, more obscure heavy metal band, the best place to follow them is probably on Facebook. Also, becoming a fan on Facebook of specific record labels (no matter how obscure) is a great way to keep up with bands. Checking the websites of those labels for press releases is similarly a good idea.

For those who are looking for good heavy metal review sites, I personally recommend MetalSucks, Metal Injection and Angry Metal Guy. Angry Metal Guy is really opinionated and often disagrees with what the majority of heavy metal critics have to say. His reviews are very well written, and he is a fairly well recognized reviewer online. What he has to say is always insightful and of good character, and his reviews are a pleasure to read. MetalSucks and Metal Injection tend to agree more with what the majority of critics have to say.

General music sites are also really good for heavy metal reviews. Allmusic, Sputnikmusic, and Spin particularly do a good job of reviewing heavy metal albums when they choose to. Pitchfork is more hit or miss. Never expect a good thrash or death metal review from Pitchfork, but good black metal, sludge metal, doom metal, post metal and stoner metal reviews are common and worth reading.

One final site that is important to mention is The Metal Archives. The Metal Archives has a file on almost every heavy metal band out there that has gotten their feet off the ground. It’s a great site to look for band information. The user album reviews on the site are also often very good and worth reading. The Metal Archives is an extremely important heavy metal website and has a lot of information when explored in depth. For information about specific metal bands, such as band histories and current activities, I recommend visiting their personal Facebook, Bandcamp and Wikipedia pages along with The Metal Archives.

There is no one website that is particularly good for heavy metal information. However, when using a good combination of reliable metal news sites, review sites and informative sites, it is very easy to keep up with the heavy metal genre of music.

Saturday, November 2, 2013

Important Short Lived Metal Bands

This week we are going to be discussing a few metal bands that didn’t exist for very long, but have since had an extraordinary impact on heavy metal music. All of these groups released at most two albums, and are not together today. Many of them are very unlikely to reform again.

Listed below are five of the most important short lived heavy metal bands. Take a look!

1. Hellhammer 

Hellhammer only put out an EP, but the influence of that EP was monumental within black metal. At the time of the EP’s release, it was the most extreme record to ever be put out by a metal band. Some critics hated it, but others loved it. Many bands took influence from it, and with that, the first wave of black metal had begun. The members of Hellhammer regrouped after the band's demise as Celtic Frost, where they achieved greater success. Hellhammer wasn’t around for long, but it completely changed extreme metal forever.


2. Acid Bath

This group is one of my personal favorite metal bands. Acid Bath existed from 1991 to 1997 and put out two albums. These albums are stoner metal classics and have been hugely influential within the scene. Acid Bath played a style of music that combined many different subgenres of heavy metal, but the band’s roots were primarily in stoner metal and sludge metal. The experimental nature that sludge metal has taken on can be partially attributed to Acid Bath’s two records. The band dissolved with the death of bassist Audie Pitre, who contributed a lot to the band’s sound. Since the band’s break-up, vocalist Dax Riggs has taken a bluesy, stoner rock route with Agents of Oblivion, Deadboy and the Elephantmen and his solo work. Guitarist Sammy Duet has had some success with his blackened death metal act, Goatwhore. The musicians who were involved with Acid Bath have a strong cult following, particularly in Louisiana, where the group originated. 


3. Weakling

Weakling put out one album. That’s all it took for the group to leave a permanent mark on black metal. Weakling was around from 1998 to 1999, with its only album coming out in 2000. The group put out a legendary black metal album that practiced a unique style of depressive, progressive black metal. Not many bands have really tried to mimic Weakling, but countless groups have been influenced by them. Wolves in the Throne Room is the closest metalheads will probably ever get to hearing more of Weakling’s style of music. John Gossard, one of the group’s essential members, has since gone on to perform with Asunder and Dispirit, which are two other bands that are certainly worth checking out.


4. SikTh

It might be cheating to include this band. SikTh was around for nine years, but the band only put out two albums. SikTh’s influence has been extraordinary since its dissolution. The band played a unique style of progressive metal. It sounded like no one else at the time, and fans were astounded by the unique music. Since SikTh broke up, many bands have taken influence from the group. Periphery is the most notable of these acts, and as I have mentioned in other posts, Periphery’s influence on the progressive metal and djent communities has been astounding. Periphery would not exist without SikTh, though. Musically speaking, I think SikTh is the superior band and was way ahead of its time. The band’s influence will certainly be strongly felt for a long time to come. SikTh keeps hinting at a reunion, but no plans have been confirmed. Keep your fingers crossed, metalheads.


5. Amesoeurs

So many metal bands that are being formed today are influenced by Amesoeurs. This group only existed from 2004 to 2009, but its impact has already proven to be immense. The group was one of the first to combine black metal and shoegaze, and its only record (which is self-titled) is better than 99% of the bands that came after it. This style of music had already started to be pioneered by Neige from the French metal band, Alcest. He brought his expertise to Amesoeurs, as musicians Sylvian (Peste Noire), Fursy Teyessier (Les Discrets) and Winterhalter (Alcest, Peste Noire) had not been as experienced at the time of the recording of Amesoeurs’ only album. At the time of the record’s release, it got a moderate amount of critical praise, but black metal fans were more than touched by the album’s style. There are now many metal groups modeling themselves after Amesoeurs, though none are nearly as good.