Black Metal (Part 2)

This week we are going to discuss a particularly dark subject--the second wave of black metal. This musical and cultural shift occurred during the early 1990s: a time of chaos and destruction in Norway.

Before we begin to discuss the time period, it’s important to talk about the new style of black metal music that was being developed. The style can essentially be traced to the band Mayhem and their guitarist, Euronymous. Euronymous developed a new style of black metal guitar-playing that was replicated and further expanded upon by many Norwegian bands. This raw and menacing style was derived from that of Bathory.

This type of black metal was about being more evil than anyone else, but no band was darker and more sinister than Mayhem. Bands such as Burzum, Darkthrone, Gorgoroth, Immortal, and Emperor were also prominent in the Norwegian black metal scene.

At this point, black metal performances started to become controversial. Most black metal shows were fairly intimate and they often involved musicians inflicting harm upon themselves, as well as numerous different gross-out stunts like having animal carcasses on stage. Pentagrams and other satanic symbols and rituals were also not uncommon during these shows. Wearing corpse paint also became very traditional for black metal performers at this point in time. Black metal bands' motive was to make their shows feel as cold and as lifeless as possible, and were willing to do anything to achieve that.

At the time of this new wave, the vast majority of Norway was composed of Protestants, and the black metal scene served as a rebellion against those religious beliefs. This music was performed by the youth who rejected the beliefs and wanted to change the religious opinions of the majority through drastic measures. Therefore, church-burnings became a huge problem associated with the scene. Fans and musicians burnt down over fifty churches during this time in Norway, and several musicians were convicted and imprisoned because of it.

Many of the musicians and fans around this time also claimed to practice Satanism. These musicians preached Satanism through their music and some made their beliefs known through the church burnings. There were some Satanists who chose not to act on their beliefs though, such as Ihsahn of Emperor, who has actually recently had a change in his religious views and now no longer identifies himself as a Satanist.

As mentioned earlier, the biggest band of this scene was Mayhem. Mayhem was known for the extreme amount of controversy the actions of its members caused. The first very significant event in the band’s history was when their singer, Dead, committed suicide. Dead killed himself in a house owned by the band and was found by Euronymous. Dead had left a suicide note, apologized for killing himself indoors and for the bloody mess that he knew would result from shooting himself in the head with a shotgun. Euronymous took a photo of Dead's corpse and used it for Mayhem's bootleg live album, Dawn of the Black Hearts. It was rumored that Euronymous had also taken bits of Dead’s brain and made a stew with it; however, that has since been proven false. It is supposedly true, though, that he took pieces of Dead’s skull and made necklaces out of them, which he gave to musicians who had earned his utmost respect.

Even though Euronymous was a fairly disturbed man, he was also respected musically. In addition to having pioneered the second wave of black metal, he created a record label called Deathlike Silence Productions, which released numerous famous black metal albums.

After Dead’s death, Mayhem began to work on their first real full-length album. At this point, they recruited Atilla Csihar as their vocalist. Csihar was an unusual choice considering his voice was more operatic than most of the other black metal vocalists'.

Mayhem also recruited a new bass player, known within the band as Count Grishnackh. The bassist’s real name though was Varg Vikernes. Vikernes already had a reputation within the Norwegian black metal scene. He had experienced much success with his one-man project, Burzum, and he had committed several church burnings. Vikernes was a great musician and a perfect fit for Mayhem.

Nevertheless, just before the release of Mayhem first full length debut album, Vikernes murdered Euronymous. Vikernes claimed that his actions were in self defense, and that could very well have been true. Vikernes had heard from a few friends that Euronymous had been planning to attack him that night, and videotape himself torturing Vikernes to death. Euronymous had simply asked Vikernes to come over to sign a contract, but Vikernes believed that there was an ulterior motive. By the end of the night, however, all that is clear is that Euronymous ended up dead from a fatal stab wound as well as many other smaller cuts, which Vikernes claims were from Euronymous falling on broken glass.

Vikernes was sentenced to 21 years in prison for the murder as well as for the various church burnings that he was convicted of committing. Recently, Vikernes has been released from prison early and has since continued recording under the Burzum moniker. Mayhem has also since been revived by their drummer, Hellhammer, and continues to perform today. Mayhem’s first album, the only one that featured Vikernes on bass, is called De Mysteriis Dom Sathanas, and is considered a classic in the black metal genre.

After Euronymous’ murder, the second wave of black metal began to die down in Norway. However, the legacy of the scene remains intact today. Many notorious black metal releases were put out during that time, and many of the greatest black metal bands of all time were formed during that period. Since then, black metal has developed and progressed further, branching off into different styles, which we will discuss more in later blog entries.

Until then, there are a lot of documentaries and interviews that can shed more light on the Norwegian black metal scene. I recommend the documentary, Until the Light Takes Us, or the book, Lords of Chaos.

This scene is the most notoriously grim part of metal history, and it helped the genre of music gain its evil reputation.

Black Metal (Part 1)

Over the past couple of weeks, “Into the Pit: A Metal Blog” has casually mentioned the black metal subgenre when talking about the band, Venom. For the next two weeks, we are going to take an in-depth look at the subgenre and its dark history. This week we will focus on the first wave of black metal bands to arise.

The black metal subgenre really did all begin with Venom. Their album titled Black Metal is where the genre received its name. Venom was a large mixture of subgenres though, and later bands would further cement the genre into existence.

Black metal is a subgenre of heavy metal that is primarily characterized by high-pitched guitar tones that feature strong distortion. The music is usually very fast, using dissonance to create dark and "scary"-sounding tones. Bass is usually very minimal within black metal music, and drumming is characterized as being very fast and using blast-beats. Black metal vocals usually consist of shrieking, growling, and other experimental styles. The production of black metal music is also commonly very raw and lo-fi.

Black metal also contains unique and dark imagery. Many black metal bands have very theatrically vicious stage performances. Throughout the history of black metal, many extremely controversial and disturbing acts have occurred during concerts, particularly by the musicians themselves. Impaled animal heads, mock crucifixions and the covering of the musicians in animal blood have all been parts of black metal performances in the past, particularly during the second wave of black metal in Norway. Today, black metal performances are much tamer and less controversial than they used to be.

It is also common for black metal performances to be very atmospheric and grim. Corpse paint is commonly worn to try to make the musicians seem more cold and emotionless. Many black metal musicians furthermore choose to create pseudonyms in order to appear mysterious.

One of the earliest pioneers of the black metal genre was a band called Bathory. Bathory was essentially the one man project of Tomas Forsberg, more commonly known as, Quorthon. Bathory had a revolving line-up of other musicians until its demise in 2004 that coincided with Quorthon’s death.



Bathory’s debut self-titled album is known by many as the first true black metal album. However, Bathory’s most famous album is undeniably Under the Sign of the Black Mark, which would become a massively influential record on all subsequent albums within the black metal genre. Bathory eventually started to dabble heavily in viking metal, and never managed to return to their black metal roots.



Hellhammer is also an important early black metal band. Hellhammer only released one EP, but that EP titled Apocalyptic Raids would prove to be influential in the development of black metal.



After Hellhammer disbanded, several of the members went on to form Celtic Frost, which would prove to be an influential and successful black metal band as well. Albums such as Morbid Tales and To Mega Therion are considered very significant black metal records.



Recently, Celtic Frost permanently disbanded while frontman Tom Gabriel Fischer went on to start a new band known as Triptykon.

Venom, Bathory, Hellhammer, and Celtic Frost were the most noteworthy bands of this first wave of black metal.

Next week will be the darkest and most disturbing post on “Into the Pit: A Metal Blog;” as, we will discuss the second wave of black metal. Stay tuned!