This will be the blog’s last post discussing official heavy
metal subgenres. Next week’s blog post will conclude our discussion about heavy
metal subgenres, and will talk about fake subgenres and false classifications
of heavy metal that are technically incorrect. All subsequent posts on "Into the
Pit: A Metal Blog" will be about miscellaneous heavy metal topics, including
current trends in the genre, exciting new releases and heavy metal news. We
will also look to the past to discuss some underrated pioneers of heavy metal,
some of which are still overlooked.
Now, without further ado, here are the final subgenres of
heavy metal!
1 Technical death metal. This subgenre describes
death metal that contains complex song structures, unusual rhythms and progressive
tendencies. Technical death metal bands rely on sophisticated songwriting and
irregular time signatures in order to leave their mark on heavy metal history.
Some pioneers of the subgenre include Death, Atheist, Cynic, Pestilence and
Suffocation. Modern examples include Decapitated, Decrepit Birth, Aeon, The
Faceless, Nile and Obscura.
2 Brutal death metal. This is the most extreme
type of death metal, focusing on speed, technicality and brutality. The music
in this subgenre is always very fast and features extreme guttural vocals,
grunts and even pig squeals. Bands who have proudly earned this classification
include Dying Fetus, Devourment, Krisiun and Cerebral Bore.
3 Progressive death metal. Bands of this subgenre
are even more progressive than those in technical death metal. These groups
take direct influences from progressive rock music, but add a death metal twist
to the genre. Two of the best examples of progressive death metal are Opeth and
Edge of Sanity, as they both have almost exclusively played the style of music
throughout their existence.
4 Progressive black metal. Black metal bands that
have more progressive tendencies are often given this classification. The
direct correlation between the subgenre and progressive rock isn’t always clear, and the progressive black metal classification is often just given to
bands who experiment within the scope of black metal. Bands/artists such as
Weakling, Wolves in the Throne Room, Krallice, Nachtmystium and Ihsahn are frequently given
the progressive black metal label.
5 Death/doom. This subgenre is exactly as its name
describes. Death/doom is the combination of death metal and doom metal. It’s
very melancholic and dark, but also heavy, featuring growled vocals and
double-kick drumming. Bands of this subgenre include Paradise Lost, Anathema,
My Dying Bride, Swallow the Sun and Novembers Doom.
Funeral doom. This subgenre of metal is for the
gloomiest of listeners. It is a cross between death/doom and funeral dirge
music. Ambiance and atmosphere are very important to this style of music, as it
is solely focused on death and despair. The music is very slow and features
heavily distorted guitars. Vocals are varied, but are often shrieked, growled and horrifyingly screamed. Examples of funeral doom bands include Esoteric,
Evoken and Thergothon.
7 Symphonic black metal. This subgenre combines
black metal with symphonic and orchestral elements, and is very popular.
Orchestral instrumentation is expected in the subgenre, but sometimes just
the addition of a keyboard player can earn a band the classification. The style
sticks to normal black metal conventions, but the added instrumentation gives
the music a grander, epic sound. Popular bands within the subgenre include Emperor,
Dimmu Borigr, Chthonic, Cradle of Filth and Abigail Williams.
8 Symphonic death metal. This is similar to
symphonic black metal, but with death metal elements replacing the black metal
ones. The song structures are similar to those found in death metal, but the
symphonic metal instrumentation makes the music sound more progressive.
Symphonic death metal isn’t a commonly practiced subgenre, but the bands that play
the style have become significantly successful. Septicflesh and
Fleshgod Apocalypse are two of the most well known symphonic death metal bands.
No comments:
Post a Comment