Saturday, March 3, 2012

Black Metal (Part 1)

Over the past couple of weeks, “Into the Pit: A Metal Blog” has casually mentioned the black metal subgenre when talking about the band, Venom. For the next two weeks, we are going to take an in-depth look at the subgenre and its dark history. This week we will focus on the first wave of black metal bands to arise.

The black metal subgenre really did all begin with Venom. Their album titled Black Metal is where the genre received its name. Venom was a large mixture of subgenres though, and later bands would further cement the genre into existence.

Black metal is a subgenre of heavy metal that is primarily characterized by high-pitched guitar tones that feature strong distortion. The music is usually very fast, using dissonance to create dark and "scary"-sounding tones. Bass is usually very minimal within black metal music, and drumming is characterized as being very fast and using blast-beats. Black metal vocals usually consist of shrieking, growling, and other experimental styles. The production of black metal music is also commonly very raw and lo-fi.

Black metal also contains unique and dark imagery. Many black metal bands have very theatrically vicious stage performances. Throughout the history of black metal, many extremely controversial and disturbing acts have occurred during concerts, particularly by the musicians themselves. Impaled animal heads, mock crucifixions and the covering of the musicians in animal blood have all been parts of black metal performances in the past, particularly during the second wave of black metal in Norway. Today, black metal performances are much tamer and less controversial than they used to be.

It is also common for black metal performances to be very atmospheric and grim. Corpse paint is commonly worn to try to make the musicians seem more cold and emotionless. Many black metal musicians furthermore choose to create pseudonyms in order to appear mysterious.

One of the earliest pioneers of the black metal genre was a band called Bathory. Bathory was essentially the one man project of Tomas Forsberg, more commonly known as, Quorthon. Bathory had a revolving line-up of other musicians until its demise in 2004 that coincided with Quorthon’s death.



Bathory’s debut self-titled album is known by many as the first true black metal album. However, Bathory’s most famous album is undeniably Under the Sign of the Black Mark, which would become a massively influential record on all subsequent albums within the black metal genre. Bathory eventually started to dabble heavily in viking metal, and never managed to return to their black metal roots.



Hellhammer is also an important early black metal band. Hellhammer only released one EP, but that EP titled Apocalyptic Raids would prove to be influential in the development of black metal.



After Hellhammer disbanded, several of the members went on to form Celtic Frost, which would prove to be an influential and successful black metal band as well. Albums such as Morbid Tales and To Mega Therion are considered very significant black metal records.



Recently, Celtic Frost permanently disbanded while frontman Tom Gabriel Fischer went on to start a new band known as Triptykon.

Venom, Bathory, Hellhammer, and Celtic Frost were the most noteworthy bands of this first wave of black metal.

Next week will be the darkest and most disturbing post on “Into the Pit: A Metal Blog;” as, we will discuss the second wave of black metal. Stay tuned!

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