Saturday, October 12, 2013

Quit While You're Ahead

Recently on ACRN.com, we wrote a collaborative feature article about bands that should have quit while they were ahead. This week I’ve decided to write a metal version of that article.

To narrow it down to five choices, I eliminated all extraordinarily legendary bands and artists who should stay around even if it’s just for nostalgia’s sake. For example, even though Megadeth’s last few albums have been weak, they are such a renowned act that I couldn’t possibly put them on the list. Plus, they really only play a couple of their newer songs live, and are worth seeing just to hear the classics. 

I also eliminated any bands from the list that I really felt could bounce back. For example, Bullet for My Valentine seemed like an obvious choice for the list, since their last album was abysmal. However, all of their albums before it were relatively good, so I have to assume that the last record was a misstep. 

Additionally, the list below is fairly mainstream for a reason. I didn’t want my readers to have to look up every band on the list. That would be too much work. 

Now, without further ado, and in no particular order, here is my list:

1.       Avenged Sevenfold

When The Rev passed away, that should have been it for Avenged Sevenfold. The Rev was a good drummer, but his greatest contribution to the band was through his songwriting abilities. Sure, M. Shadows and Synyster Gates have proven themselves to be pretty good songwriters, but The Rev’s songs were always special treasures on each Avenged Sevenfold record. He wrote some of the band’s most creative and exciting songs, such as “Chapter Four,” “Almost Easy,” “Afterlife,” “A Little Piece of Heaven,” “Welcome to the Family” and “Fiction.” Even though M. Shadows’ songs were usually bigger hits (“Unholy Confessions” and “Beast and the Harlot”), The Rev’s songs were usually those that added depth to the band’s records. The Rev was never afraid to experiment and those experimentations almost always paid off in a big way for the band. The Rev’s songwriting, drumming, and backing vocals were essential to what made Avenged Sevenfold such a special metal group. The band’s newest album, Hail to the King, is evidence that the band faces a hard road ahead without The Rev. Personally, I think they should just give up now or at least change their name to preserve the legacy of those fantastic first five records.
 

2.      Korn

I haven’t seen a metal band struggle this much with identity confusion since Metallica popped (or should I say “pooped”) out St. Anger. I was one of the few people who actually dug Korn’s experimentation with dubstep, but then again I also enjoyed St. Anger to a degree. Still, Korn is a band that keeps needing to re-examine itself. The group did so successfully with Korn III: Remember Who You Are, after a spree of lackluster albums. Now the group needs to do so yet again because the band’s newest record, The Paradigm Shift, just sounds like a mess. Its combination of sounds and styles isn’t original. It’s just confusing and upsetting for longtime fans of the band. The band had some incredible early albums, but it might be time that the band members took a little break to explore their musical side interests without having them leak into Korn records. Then they could come back and play their older material again, and everyone would be happy.


3.      Killswitch Engage

Killswitch Engage basically invented melodic metalcore with its first four albums. The band was a monumental influence on so many bands that came after it. But now they are starting to lose their momentum. The band’s fifth album was a mess in so many ways, with melodies that made fans shudder and breakdowns that were much weaker than usual. Then Howard Jones left the band, and the group’s old singer, Jesse Leach, returned. Leach brought some energy and excitement back into the band, but the group’s newest album just sounds like a repeat of everything else it has done. Killswitch Engage had a good run, but they are running out of ideas, and it has become brutally obvious. Killswitch Engage isn’t going to be gaining many new fans nowadays, and no one is really talking about them anymore. Their style is becoming stale and dated, and it’s time for them to disappear for a little while, so they can preserve the integrity of a pretty memorable legacy of records.   


4.       In Flames

I have a difficult time talking about In Flames. I worship their first five records, and consider them to be some of melodic death metal’s finest achievements. However, with the change in style that first appeared on Reroute to Remain, the quality of the band’s music began to decline. I understand the band’s actions, though. They wanted a more mainstream American audience so they ditched the melodic death metal style in favor of a more alternative metal-based one. That would have been fine by me as long as the band didn’t stick with it for too long. Unfortunately, the band put out four alternative metal records, only one of which (Come Clarity) is worth listening to all the way through. Finally, in 2011, the band decided to acknowledge its melodic death metal fans again with Sounds of a Playground Fading, but the album is far from perfect. Anders Friden’s clean vocals are still pretty awful, and they take up most of the album. Plus, the electronic moments are weird and unwelcome. Fans of In Flames have been begging for a good, traditional melodic death metal record from their heroes. The band’s alternative metal output isn’t going to get better than Come Clarity, and if the band can’t do what its fans are requesting, then maybe it should just disband altogether. Jesper Stromblad at least knew when enough was enough. If only it was more obvious to the rest of the band members. 


5.      Rob Zombie

Rob Zombie’s stage shows are still phenomenal, however his music just isn’t. His best musical years are far behind him, and even though his new record was decent, he’s probably never going to put out another classic metal song again. If Zombie played some old tunes from his White Zombie days alongside songs from his first two solo records, fans would be very happy. He doesn’t even have to tour that often. He could just keep making movies (which he is clearly very good at), and whenever he’s in the mood, he could embark on a short tour playing his old music. That plan sounds much better than releasing an okay album every three to four years and regularly touring behind songs that don’t have much spark behind them. Zombie should just stop making records. He has enough great songs and is just ruining their legacy by continuing to make more. 

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